Full materials available on request to credentialed partners. The trilogy is designed to be financed as a three-picture slate, with the proof-of-concept short already in pre-production.
A three-film slate with a fully developed creative package — three feature screenplays in final-draft territory, a constellation of twenty-one shorts already written, a full casting roster, a production design bible, a documented optical system at academic-grade provenance, and a director with a complete equipment kit operationally in hand.
The Fortune Teller of the Golden Lane is built to be financed as a slate, not as a single asset. The three features stand alone but accumulate value when programmed together. The spinoff constellation provides the marketing tail at zero additional script cost. The proof-of-concept short — built around Madame de Thebes — exists as a shootable test piece for any prospective partner who wants to see the visual language on its feet before the principal-photography commitment.
The trilogy is not a pitch deck. It is a working production package, organized at academic-grade rigor. Every section below points to documentation available to credentialed partners.
Cherry Revision (124 pp), Kasparek (110 pp), Memento Mori (123 pp, active revision 59). All three drafts available for read on signed NDA.
A written social-media-intended program already in script. Six character clusters. Releases planned to alternate with feature drops as the trilogy moves toward release.
VFX breakdown, score strategy, trilogy emotional arc, complete cast roster across leads, structural roles, supporting characters, magical creatures, and spirit animals.
Academic-grade provenance documentation for the trilogy's optical system. Two parallel primary lens systems plus a Modern Characterful orbit and a deep Held Library. Operationally complete.
One-page treatment, shot list, day sheet, location scout, sound design brief, VFX brief, working budget, casting brief, sides. Shootable as a single contained asset for any partner who wants the language on its feet first.
Ten cinema bodies, 150+ lenses, complete filtration and sound packages. Final closers in flight. Roughly half the kit currently positioned in Los Angeles; consolidated shipment plan to Prague underway.
The trilogy is structured for slate financing: three features that close their own arcs but accumulate value when programmed together, with the spinoff shorts providing the marketing-tail asset class. The Czech Republic offers one of the most stable production-incentive environments in Europe; principal photography is designed to take advantage of it. Prague is also operationally efficient — the locations the scripts call for are mostly real, with a small handful of constructed sets, and the city has a deep crew base. The financing framework v2 covers tiered participation structures, completion guarantees, distribution scenarios, and the trilogy's slate-vs-single-picture math.
We will share the financing framework and the investor summary on signed NDA to credentialed partners. The current ask is structured to fund principal photography on the first feature, post on the same, and the slate option for the next two. The intent is to begin in 2026.
Equity partners with a slate appetite. International distributors with European art-house and prestige-genre programming. Streaming buyers who can take three features in sequence. Film funds with a Central European interest. Specialty financiers who understand that a fully developed package with an in-hand production kit is a different proposition than a pitch deck. We are also open to co-production conversations with Czech, German, French, and UK partners — the trilogy is structurally multilingual and the lens lineage is documented across both French and British cinema traditions.
For credentialed financiers, distributors, and co-production partners. The full investor materials — financing framework, slate package, screenplay reads under signed NDA, the production kit inventory, and the optical lineage documentation — are available on request.
investors@gladiumfilms.com